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Touch of Evil Poster

Touch of Evil

PG-13
Movie
1958
1h 51m
English
Crime, Thriller, Mystery
When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his new bride, Susie, in jeopardy.
Rating
WATCHMODE
8.1
IMDB
Touch of Evil (1958) on IMDb
CRITIC SCORE
97

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Charlton Heston
Ramon Miguel Vargas
Janet Leigh
Susan 'Susie' Vargas
Orson Welles
Police Captain Hank Quinlan
Joseph Calleia
Police Sergeant Pete Menzies
Akim Tamiroff
'Uncle' Joe Grandi
Joanna Moore
Marcia Linnekar
Ray Collins
District Attorney Adair
Dennis Weaver
Mirador Motel Night Manager
Mort Mills
Al Schwartz - District Attorney's A...
Victor Millan
Manelo Sanchez
Lalo Rios
Risto - Grandi's Nephew
Michael Sargent
Pretty Boy
Harry Shannon
Chief Gould
Joseph Cotten
Coroner (uncredited)
Zsa Zsa Gabor
Strip-Club Owner
Joe Basulto
Young Delinquent (uncredited)
Yolanda Bojorquez
Bobbie (uncredited)
Domenick Delgarde
Lackey (uncredited)
Jennie Dias
Jackie (uncredited)
John Dierkes
Policeman (uncredited)
Eleanor Dorado
Lia (uncredited)
Directed By: Orson Welles
Written By: Orson Welles (Screenplay), Whit Masterson (Novel)

Featured Comments/Tips

bondless says...
6 years ago
The irony of this film is that it is supposed to show the evils of racism while casting the all too white Charlton Heston, Akim Tamiroff and Marlene Dietrich as Mexicans. Aside from this irony, the film is one of the most important films within the genre of Film Noir for good reason. The cinematography in the first and last scenes are pure brilliance. This is arguably one of Orson Welles best films, both as an actor and director. If you do watch it make sure and watch the reconstructed version, based on Welles original desire for the film.
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soonertbone says...
4 months ago
Much better and more coherent than I remembered--not sure if it's due to being less mature 20 years ago or due to not seeing the restored print. What I saw this time was brilliant and flashy, Welles' best since Kane. I loved the shot compositions and use of framing to both highlight character interactions as well as to suggest a sense of mood and danger--reminiscent of The Third Man. Heston didn't irritate me as much as he usually does, and the scenes with Janet Leigh (especially in the hotel) were both fun and chilling.
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FLY_ says...
3 months ago
(This was the newly cut version) Good plot, incredibly modern cinematography. The brown face might be disputable these days. Can't say I've been blown away by Charlton Heston's performance but Welles himself is perfect as a gruff "great detective but lousy cop". Some investigation, some manipulation, a typical noir ambiance. Was enjoyable till the end. Just had issues with the extremely naive bride. What the hell is wrong with her ? She has absolutely zero survival instinct.
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ecnef says...
6 years ago
Supposedly this is a classic, and part of the "canon" of great films. I dunno, seems all over the place and badly directed/written to me. But maybe that's because I can conceive of Mexicans as people not criminals. Also Brownface much!
Like  -  Dislike  -  Comment  -  001

Featured User Reviews

drqshadow
4/10  4 years ago
On honeymoon with his new bride, a Mexican narcotics officer is unwittingly drawn into a web of crime and corruption when he witnesses a fatal car bombing. Following the case with interest, he's repulsed by the brusque attitude and morally-questionable methods of the local authorities; particula More
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CinemaSerf
one year ago
We start with a man putting a bomb in a car on the Mexican side of the border. When it explodes on the American side flattening the occupants, the local "Capt. Quinlan" (Orson Welles) decides to make a bit of a cursory investigation - in cahoots with his opposite number "Vargas" (Charlton Heston). W More
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Wuchak
6 years ago
Welles/Heston B&W cult noir is great on a technical level, but meh as a viewing experience

On the Texas border a Mexican detective (Charlton Heston) assists an American investigation into a shocking murder of an American official on the border, but he soon learns that the imposing & slovenly She More
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Filipe Manuel Neto
2 months ago
**It's not Orson Welles' best work, and there are some problems and wrong choices, but it's still a worthwhile film.**

One crime and two totally different men: this sentence almost sums up the entire film. Director Orson Welles is one of those monsters that we are used to having like a “sacred More
Like  -  Dislike  -  Comment  -  000

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