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Sweet Movie

Movie
1974
1h 38m
R
English
Comedy
User Score: 
5.7
Critic Score: 
55
Sweet Movie' Poster
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
Sweet Movie Poster

Sweet Movie

R
Movie
1974
1h 38m
English
Comedy
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
Rating
WATCHMODE
5.7
IMDB
Sweet Movie (1974) on IMDb
CRITIC SCORE
55

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Carole Laure
Miss Monde 1984 / Miss Canada
Pierre Clmenti
Potemkin Sailor
Anna Prucnal
Capt. Anna Planeta
Sami Frey
El Macho
John Vernon
Aristote Alplanalpe, AKA M. Kapital
Jane Mallett
Mrs. Alplanalpe
Roy Callender
Jeremiah Muscle
Marpessa Dawn
Mama Communa
Don Arioli
Dr. Mittlefinger
Otto Muehl
Member of Therapie-Komune
Otmar Bauer
Member of Therapie-Komune
Directed By: Dušan Makavejev
Written By: Dušan Makavejev (Screenplay), France Gallagher (Screenplay), + 1 more

Featured Comments/Tips

Sigeki Ogino says...
2 years ago
This creepy film by Makavejev is arguably more eccentric and perverse than any film I have ever seen. But while it's easy to just make a cult film, "Sweet Movie" will captivate most of its audience with plenty of eye-boggling directorial gimmicks not found even in most cult films. And, best of all, it is an unprecedented experimental musical film, not exactly good for one's mental health, but brilliant as an artistic experience. But it is probably the highest level of film that the average parent would not want their children to see. There are numerous scenes that would be banned today, and many that offend. And the occasional inserts of brief, abominable footage from the old days almost have a narcotic effect on the film, transforming it from a Bizarro bad movie into a high-artistic drama.
Like  -  Dislike  -  Comment  -  000
fegandr says...
2 years ago
It's more a Pink Flamingos than Salò for me. I need to watch it again (with sound and subtitles this time). EDIT: Second watched yesterday, with audio and subtitles for all parts, because the variety of language, whether spoken or sung, is as rich as the acid humorous passages/sketches in this film. When I say that for me it is closer to John Waters than Pier Paolo Pasolini, it would be in this present sense of "randomness" in the use of laughter in the most grotesque way possible - the so-called carnivalesque concept that Mikhail Bakhtin uses from his study of Rabelais' work (Gargantua and Pantagruel). There is the political side of Salò, but in the Italian production I didn't laugh as much as in Sweet Movie. It is funny and even cruel with the proximity to death in the Katyn camps, but at the end it leaves a bit of hope, with the children coming out of the plastic bags, being reborn.
Like  -  Dislike  -  Comment  -  000

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