Part sweet-hearted teenage romance and part raunchy National Lampoon comedy, which makes sense as this film represents a transition for first-time director John Hughes. Fresh from a post at the Lampoon magazine, where he penned the seminal classic Vacation, Hughes was about to revolutionize teen-geared filmmaking with his deep understanding of emotional roller coasters and accurate portrayal of the high school social structure.

What results is a spotty picture that experiences triumphant highs and... well, not lows per se, but a shocking disconnect with any shred of political correctness. Long Duk Dong is the worst of these offenses, of course, as a blush-inducingly ugly Asian stereotype, while a major plot point in the second act involves handing off a passed-out prom queen for not-so-subtly hinted sexual escapades. At the time this was made, I'm sure, these seemed perfectly acceptable choices for a teen comedy, but it's impossible to imagine most of it surviving the filters today.

But if we can forgive all that (or maybe just move on from it), Sixteen Candles remains an intrinsically charming (and often laugh-out-loud funny) film. Molly Ringwald is responsible for a great deal of that, at her blushing, grounded best, while Anthony Michael Hall deserves a nod for his work as her suave-as-he-thinks-he-is wannabe suitor. And I'd completely forgotten about several baby-faced cameos from John and Joan Cusack throughout the story. It spirals out of control at points, especially during the expansive, scattershot school dance, but regroups nicely in time for a touching, classically Hughsian finale. Matched, of course, with the perfect scene-setting new wave tune.

Really fun, and funny, romantic-comedy that is to me akin to Ferris Bueller's Day Off style of humor from John Hughes (vs. something like The Breakfast Club and Pretty in Pink with a more serious tone or themes). Anyway, this was my first time seeing this and while I still place TBC and FBDO over this, still another great film from Hughes to come out of the 80s and, like those, still works so well today. **4.0/5**

I've never bagged a babe. I'm not a stud.

It's Samantha Baker's 16th birthday and her family are so wrapped up in her sisters impending wedding, they have completely forgotten Sam's big day. Not only that but she has the hots for school hunk Jake Ryan who, apparently doesn't know she even exists. Her existence, however, is noted by freshman Ted "The Geek" who lusts after her at every opportunity. Being 16 really isn't all it's cracked up to be, maybe?

John Hughes directs his first feature film and sets out his marker for the career that was to come for the astute observer of teen angst and coming of age drama.

Featuring Hughes faves Molly Ringwald (Sam0 & Anthony Michael Hall (Ted), Sixteen Candles is frothy on the outside but not without cunning substance on the inside. It's the sort of film that is easy to forgive its obviousness on account of its understanding of its characters, something that Hughes was a master of. Even as we run through the staple requirements of the teen comedy movie (dance, party, making out etc ) Hughes manages to avoid the cliché pitfalls of such sequences by fuelling them with believable patois.

His cast, with the exception of the dull Michael Schoeffling (Jake), are sparky and engaging throughout. With the Cusack siblings, John & Joan also showing up in the strong supporting cast. There's an Asian exchange student thread that some have tried to paint as stereotypically offencive, but that is nonsense! Gedde Watanabe ensures the role is the fun and harmless one it's meant to be.

The soundtrack is kicking and very at one with the story (another knack of Hughes), it features the likes of The Specials, The Revillos, Billy Idol, The Stray Cats and The Thompson Twins. And the Evanston, Illinois location work really fleshes out the feeling of the piece.

Not just a film for 80s nostalgists then, one for pretty much anyone who was 16 and had their emotions pulled all over the place. 7/10