Humphrey Bogart and Gloria Grahame are on great form in this complex and intricate crime noir. He ("Dixon") is a down-on-his-luck writer who finds himself squarely in the eyes of the police, suspected of murder. Fortunately, and somewhat out of the blue, his neighbour turns up at the station and gives him a cast iron alibi. She ("Laurel") saw the victim leave his home, and he stayed put! Now at this point, we have no reason to disbelieve her, but as the story develops and the two become more intimately connected, we start to see certain flaws appear in both of their characters that starts to make us doubt which (if either) of them might be telling the truth. The police haven't given up on him either, and their investigation and his consistently wayward behaviour soon has everyone on edge. It's a well paced and well written drama this, that plays well to the skills of the two stars. They exude a chemistry that is just as suspicious as it is loving. We are never quite sure where we are - not until the rather effective denouement which was not really what I was expecting. If you can watch this for ninety minutes on a big screen: it offers a richness of photography and a gripping George Anthiel score to complement a strong story well controlled by Nicholas Ray who is also at the top of his game.