After Life starts is a slow-paced story that never picks up the pace but instead plods on at a steady speed. In some cases this could seem like a criticism but in the case of Hirokazu Koreeda’s After Life this is not so. It fits the tale, the story, perfectly.

The slightly shabby and rundown halfway house or Limbo put me very much in mind of Goran Dukic’s Wristcutters: A Love Story but whereas Dukic’s Limbo was a place for suicides which was just dull enough to be a personal hell, Hirokazu Koreeda’s halfway house is a more joyful place overall, with most of it’s ‘visitors’ imparting their life experiences to the ‘counsellors’ who work there. Like real life there’s a different story and different outlook for every person. It is here that the story is strong, with each person’s best moments, indeed whole stories, being funny, poignant, full of regret, love, loss and all points in between. Each individual cameo seems perfect for the part the play, natural and as if you are just watching a documentary where they are being interviewed. No easy task to get such natural showings.

There are many beautiful moments in the film involving the older ‘visitors’ that will pull at your heartstrings unless you are stone-cold dead inside and just, even as you are enjoying the story, you wonder whether there is indeed a story to it, Koreeda throws a beautiful curveball to show what the story was all about and how it moves the characters on. To be soft and gooey it was quite lovely.

It would be interesting to know if the location presented itself the maker on a low budget or whether it was sought out to fit in with the vision, Either way it is perfect for shabby rundown but functioning ‘processing area’ the cinematography and acting fit the overall look perfectly.
It is difficult to fully judge whether actors are being good or performing poorly when you do not speak the language and only have a slight understanding of the culture but from my point of view the office culture of the main characters and natural ring to the dead seemed pitch-perfect but I would have to leave full judgment to those with a great knowledge than mine.

All in all After Life is high on my list of ‘what happens to you when you die’ genre Wristcutters is up there, along with Heaven Can Wait (1978) and The Amazing Mr Blunden.

To be fair this is an interesting, challenging and fun film but if do not like a leisurely pace, reading subtitles and no explosions and gun play – probably not for you.